Mariusz „Fazi” Mielczarek | soprano, alto, tenor saxophone |
Bogdan Hołownia | piano |
Mariusz Bogdanowicz | acoustic bass |
Piotr Biskupski | drums |
featuring | |
Anna Frankowska | vocal |
Andrzej Jagodziński | piano |
Wojciech Karolak | piano |
Ryszard Rynkowski | vocal |
Tomasz Stańko | trumpet |
Krzysztof Woliński | gitar |
Sinfonia Varsovia | strings |
1 | Do widzenia, do jutra | Komeda | |
2 | Ulica Długa* | ||
3 | Moja ballada | Komeda | |
4 | Deszcz* | ||
5 | Szeptem | Abratowski/Korczakowski | |
6 | Błazen | trad. | |
7 | Za późno* | ||
8 | Always Say Goodbye | Haden | |
9 | Forgetmenot | Bogdanowicz | |
10 | Nie mów „zawsze”* | ||
11 | Lonley Woman | Coleman | |
12 | Blue In Green | Davis/Evans | |
13 | You Must Believe In Spring | Legrand | |
14 | Ulica Długa | Sojka/Młynarski | |
15 | Epilog* | ||
16 | Do widzenia, do jutra | Komeda |
*movie voices and sounds
1, 8, 12 arranged by Wojciech Karolak
produced by Marcin Kydryński
executive producer Sławomir Górecki
recorded Studio S4 Polish Radio Warsaw May-June 1995
sound engineer Tadeusz Mieczkowski
1996 BLACK LABEL 1095002
Jej portret
Janusz Strobel | classical guitar |
Mariusz Bogdanowicz | acoustic bass |
Piotr Biskupski | drums |
feat. | |
Jose Torres | percussion |
Triste | Antonio Carlos Jobim |
Samba Em Preludio | Baden Powell |
O Amor Em Paz | Antonio Carlos Jobim |
Tete a Tete | Janusz Strobel |
Canto De Osanha | Baden Powell |
Dusza ogrodu | Janusz Strobel |
Lorca | Janusz Strobel |
Dindi | Antonio Carlos Jobim |
Consolacao | Baden Powell |
Łza | Janusz Strobel |
Reza | Edu Lobo |
recorded Studio S4 Polish Radio Warsaw 1992
sound engineer Tadeusz Mieczkowski
1993 MIRAPHON 001
Jej portret
Wojtek Gogolewski | piano |
Saskia Schneider | flute |
Mariusz Bogdanowicz | acoustic bass |
Piotr Biskupski | drums |
The Warsaw Radio Orchestra |
all composed by Wojtek Gogolewski
produced by Wojtek Gogolewski
recorded Studio S4 Polish Radio Warsaw 1989
sound engineer Wojciech Przybylski/Jerzy Płotnicki
1989 POLJAZZ PSJ 272
Jej portret